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इंडियन आवाज़     17 Dec 2017 11:37:14      انڈین آواز
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Google dedicates doodle to Mallika-e-Ghazal Begum Akhtar

Mere Humnafas, Mere Humnawa, 
Mujhe Dost Ban Ke Daga Na De
Main Hoon Dard-e-Ishq Se Jaan-Valab, 
Mujhe Zindagi Ki Dua Na De

begam akhter

 

AMN / NEW DELHI

Google today dedicated a special doodle ‘Mallika-e-Ghazal ‘ Begum Akhtar to mark the 103rd birth anniversary. It sees her playing a sitar at the centre, with fans all around applauding her art. To speak more on the same, Google took to its blog to write, today is Begum Akhtar’s 103rd birthday.

She is regarded as one of the most veteran and revered Ghazal singers in India and has thus been given the monicker, of Mallika-e-Ghazal. Well, on the occasion of this auspicious day, Google has kept her as the doodle of the day.

Begum Akhtar was born on 7th October, 1914 in Faizabad town of Uttar Pradesh. Her name was Akhtaribai Faizabadi though she was much popular as Begum Akhtar. Her family belonged to the upper class of the society and was not even inclined towards music. She showed interest in music at a very young age and was sent to train under the great sarangi player, Ustad Imdad Khan. Later, she learnt classical music from great exponents of this field like Mohammad Khan, Abdul Waheed Khan and Ustad Jhande Khan Saheb. Read the life history of Begum Akhtar in this short biography.

At the tender age of fifteen she gave her first public performance. People were moved by her voice and she gained instant recognition. Her ghazals even impressed the famous poetess of India, Sarojini Naidu and was appreciated at a concert that was organized for helping victims of Bihar earthquake. Her first recording was done by the Megaphone Record Company and they released many gramophone records with her melodious Ghazals, thumris, dadras, etc. In 1930’s, Begum Akhtar also acted in a few Hindi films which include Ameena (1934), Mumtaz Begum (1934), Jawaani Ka Nasha (1935), Naseeb Ka Chakkar (1935). In all these films, she sang all her songs herself.

Begum Akhtar moved back to Lucknow after a while where the renowned director Mehboob Khan approached her for a film titled “Roti”. The music was composed by the famous Anil Biswas. The movie was released in the year 1942 in which Begum Akhtar had sung six Ghazals. Unfortunately, four of the Ghazals were deleted due to some tension between the producer and the director. The film was appreciated by one and all and the music took the industry by storm.

Begum Akhtar married barrister Ishtiaq Ahmed Abbasi in the year 1945. Due to family restrictions, Begum Akhtar could not sing for almost five years. She fell ill and her only medicine was music. In the year 1949, she returned to record at the Lucknow Radio station and sang three Ghazals and a dadra. She felt so satisfied and happy that she wept with joy. She then continued to give public performances and sing in concerts till she passed away.

Begum Akhtar was persuaded by Madan Mohan, a famous music director to sing in two movies “Daana Paani” (1953) and “Ehsaan” (1954). The songs “Aye Ishq Mujhe Aur to Kuch Yaad” and “Hamein Dil Mein Basa Bhi Lo” were absolutely melodious and were liked by one and all. Her last movie stint was that of a classical singer in Satyajit Ray’s film “Jalsa Ghar”. Begum Akhtar was a refined Ghazal singer and was called as Mallika-e-Ghazal or the Queen of Ghazals. Her style of singing is inimitable and few can match upto her style. Most compositions were self composed and based on Ragas.

Begum Akhtar performed last in a concert in Ahmedabad. That day she felt that her voice was not upto the mark and raised her pitch. This put much stress on her and her health deteriorated. The situation became critical and she had to be rushed to the hospital. She breathed her last on 30th October 1974, leaving many fans disappointed and heart broken.

Akhtar was not only famous for her ghazals, but also for her proficiency in the dadra and thumri forms of classical music. Some of her famous ghazals include, Aye mohabbat tere anjaam pe rona aaya, Mere humnafas mere humnawa, Ghalib’s Dil hi toh hai na sang-o- kisht, Mir Taqi Mir’s Ulati ho gayi sabtadbeerein and Faiz Ahmed Faiz’s Aaye kuchh abr kuch sharaab aaye.

Apart from her singing, Akhtar also acted in several films, the most notable being Satyajit Ray’s Jalsaghar. She has received several awards, including the Sangeet Natak Akademi Award for vocal music and, posthumously, the Padma Shri and the Padma Bhushan.

She went on to receive the Sangeet Natak Akademi Award for vocal music, and was also awarded Padma Shri and Padma Bhushan (posthumously) by the Indian Government.
ONE THE BEST GHAZAL WRITTEN BY SHAKEEL BADAYUNI BECOMES IMMORTAL IN BEGAM AKHTER VOICE

Mere Humnafas, Mere Humnawa,
Mujhe Dost Ban Ke Daga Na De
Main Hoon Dard-e-Ishq Se Jaan-Valab,
Mujhe Zindagi Ki Dua Na De

Mere Daagh-e-Dil Se Hai Roshni,
Isi Roshni Se Hai Zindagi
Mujhe Darr Hai Ae Mere Chaaragar,
Yeh Chiraag Tu Hi Bujha Na De

Mujhe Ae Chhorh De Mere Haal Par,
Tera Kya Bharosa Hai Chaaragar
Yeh Teri Nawazish-e-Mukhtasar,
Mera Dard Aur Badha Na De

Mera Azm Itna Buland Hai
Ke Paraaye Sholo-n Ka Darr Nahin
Mujhe Khauf Aatish-e-Gul Se Hai,
Yeh Kahin Chaman Ko Jala Na De

Woh Uthein Hain Leke Hom-o-Subu,
Arrey O ‘Shakeel’ Kahan Hain Tu
Tera Jaam Lene Ko Bazm Mein
Koi Aur Haath Badha Na De!

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